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・ Daughters of Our Lady of Compassion
・ Daughters of Our Lady of the Sacred Heart
・ Daughters of Pharmacist Kim
・ Daughters of Pleasure
・ Daughters of Providence (Paris)
・ Daughters of Revolution
・ Daughters of Satan
・ Daughters of St. Crispin
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・ Daughters of St. Paul, Pakistan
・ Daughters of the American Revolution
・ Daughters of the Cincinnati
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Daughters of the Dust
・ Daughters of the Holy Heart of Mary
・ Daughters of the Holy Spirit
・ Daughters of the Improved Benevolent and Protective Order of Elks of the World
・ Daughters of the King
・ Daughters of the Moon
・ Daughters of the Night
・ Daughters of the Precious Blood
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Daughters of the Dust : ウィキペディア英語版
Daughters of the Dust

''Daughters of the Dust'' is a 1991 independent film written, directed and produced by Julie Dash. It is the first feature film directed by an African-American woman distributed theatrically in the United States. It tells the story of three generations of Gullah women in the Peazant family on St. Helena Island in 1902 as they prepare to migrate to the North.
Featuring an unusual narrative device, the film is told by the Unborn Child. Ancestors are part of the movie, as the Peazant family has lived on the island since their first people were brought as slaves centuries before. The movie gained critical praise, for its rich language and use of song, and lyrical use of visual imagery. It won awards at the Sundance Film Festival and others.
The film features Cora Lee Day, Alva Rogers, Barbara-O, Trula Hoosier, Vertamae Grosvenor, and Kaycee Moore. It was filmed on Saint Helena Island in South Carolina.
In 2004, ''Daughters of the Dust'' was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
Dash has published two books related to the film: ''Daughters of the Dust: The Making of an African-American Woman's Film'' (1992), which includes the screenplay; and ''Daughters of the Dust: A Novel'' (1997), set 20 years after the events in the film.
==Development ==
Dash conceived of the film in 1975, originally planning it to be a short without dialogue, a visual account of a Gullah family's preparation to leave their Sea Island home to a new life in the North. It was inspired by her father's family, who were Gullah and had migrated to New York. As she developed it over 10 years, she added layers of meaning and clarified her artistic vision. Together with Arthur Jafa, her cinematographer and co-producer, she put together a short film to use for marketing.
She was initially rejected by Hollywood executives, as this was her first full-length film. Dash said they thought it was "too different". She thought their reaction was part of a systematic exclusion of black women from Hollywood. Persisting, Dash finally got financing from PBS' ''American Playhouse''. Her work is the first feature film by an African-American woman to be distributed theatrically in the United States.〔

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